Monthly Archives: April 2014

Towards a Poetics of Museum Sound

i. Collections

An urge,
an unheard whisper in the ear,
a yearning for that
complete set,
that rarity that only we –
the privileged, the possessors –
can call our own
and control who sees it or hears it.

ii. Objects

This multitude of things
material or intangible
mute or loquacious
produced by culture
assumed authentic
obtained through
– excavation
– plunder
– exchange
selected by a few
desired by many
seen or unseen
with aural auras
untouchable
yet somehow accessible
if deemed worthy.


iii. Galleries

The display of our wares
our triumphs
our tragedies
icons of history
or forgotten pasts
within discursive configurations
spaces resonating with
meaning
history
passion
mortality
time –
the nexus of echoes
past and present:
the active sounds of history.

iv. Memory

What is it about that
sound
that makes me think of childhood?
Why does this image
transport me back to that thing I read
back when I was a student?
Which story about
my family
deserves to be recorded?
When did they decide
these are the things
that we should remember?

v. Contemplation

This silence
that is not silent
these echoes
these objects
installed and instilled with
their own preciousness
encourage one’s mind to ponder
and wander
across time: backwards and forwards
waves of sound, waves of history
upon which our thoughts might float.

vi. Engagement

We visit these places
not just to learn,
but to teach
not just to see,
but to be seen
not just to listen,
but to be heard.


Licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

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